









Be Mine card, triggersandsparks, $4
Drop Dead card, $3.50, JeanKnee
Broken heart necklace, $10, PearlieMae
If you were a Zombie card, $3, prettyfnmess
Zombie Bunny wants to nom, er, STEAL your heart, $22, IckyDog














If you're a crafter, what could be better than a stool shaped like a large ball of twine? Thomas Eyck
These red chairs are bizarre but inviting - they make me think cocktail bar! Then again, most things on a Friday afternoon make me thing "Oooh, cocktail bar!" Quarto Sala
Art Deco dressing table, £1520, Black Orchid Interiors

3. Tell me a bit about the All City campaign - what was it for (in your own words) and how did you go about doing it?
5. What brand would you most like to work with and why?
"I became interested in photography early on by magazines like national geographic, photo and those big Sunday magazines that newspapers have. Then I got a very basic film camera when i was about 12 and have been shooting ever since. The big boom came when i first got my digital camera: I started shooting more and it was easier to put my work online. And that's when I started connecting with other like-minded people and getting feedback. Although I always loved photography I never pursued any formal training, all I do is self taught either through books, specialty magazines and tips from people on the internet.
I like to say that my style is having no style at all. When I was younger I did a lot of landscape and nature shots. Then I started doing lots of architectural and portrait shots. After i joined flickr and discovered photomanipulation that's the kind of shots I've been most known for, although last year I did a more conceptual series where I shot something everyday with my cellphone camera. But landscapes is still something I always love, I've had the pleasure of some people who follow my work saying that because of my landscapes they've added Portugal to their list of countries to visit next.
I follow the work of many people (Rankin, Lachapelle, Demarchieu, etc, etc), but if I have to pick one that I believe has been most influential for me, it'd be Annie Liebovitz, I guess she started a trend with her portraits and her Soprano posters. I have to admit that I don't follow that many Portuguese photographers but only because it's harder to have access to their work, one I love is JoĂ£o Martins - excellent photomanipulator.
Five years from now I expect to be making more photomanipulations and have my work in some exhibitions. I'm not looking to make a job out of it, it's something I do as a creative outlet, so I'll probably be better at it, get some gear and maybe publish a book of some surreal landscapes I have planned. However, people can buy my work at my online








